Going vintage for the Goodwood Revival

Hello from a very damp Scotland! I’m currently in Fort William, in the western highlands, and it’s utterly spectacular (even when it’s pissing down). We’ve had a whirlwind two weeks, driving from London down to the south coast before heading north through Wales and the Lake District to Scotland. Tomorrow we head to Skye and then to the Outer Hebrides later in the week, which I’m very excited about! If you follow me on instagram you’ll know that we went to the Goodwood Revival while we were down south. I know I’ve mentioned it on here before, but in short it’s a vintage motorsport event which celebrates British racing history from the 40’s through to the 70’s, and Hamish has wanted to attend for as long as I’ve known him. I’m not really interested in Motorsport at all, but dressing up in period gear is pretty much mandatory at the Revival, so I knew there would be something to interest me there!


As it was in September in England I decided that separates (with trousers) would be a sensible option. I was briefly tempted to make a 1940s rayon day dress, but I very glad that I stuck with my original plan because the weather turned after lunch and it got rather cold and wet! I was still under dressed (could have done with some gumboots and an umbrella), but I was very glad not to be in a flimsy dress…


Both patterns are from Wearing History, the Smooth Sailing Blouse, and the Homefront Overalls. Obviously these aren’t overalls, but there is a classic 1940’s trouser pattern included! The shirt is made in a Liberty Tana Lawn, and it was really fun to put together. The lawn gathered beautifully, and made it really easy to sew the gathered front and back to the yoke, and to set in those big puff sleeves in. I was a bit concerned about the size of those sleeves and the collar, they would be all balanced out by a big 1940’s hairdo but obviously that wasn’t an option for me! It was definitely the look that I was going for though, so I carried on. I used red shell buttons which match the roses, but you can barely see them in these pictures because I forgot to put my sunglasses back in my bag. I was still hoping I might need them again that afternoon…


The trousers are made out of a fairly heavy brushed twill, also from The Fabric Store. I really like the colour, though perhaps I should have picked a less camouflaging backdrop to have my photos in front of! The trousers were very simple to put together, but I should have picked a size smaller as they came out absolutely huge initially. I ended up taking them in at the pleats and darts, and at the front and back crotch seams to get them to fit. I couldn’t mess with the side seams because I added a grown-on button placket to get in and out of them instead of using a lapped zip. 


The overalls close with a button placket, but I had only printed the trouser pieces so I improvised. It wasn’t difficult to add a curved placket piece to the side seam, but it did make it more difficult to take them in.


I faced the waistband and placket with the scraps of Liberty left over from the shirt to reduce bulk, and I think it looks really cute! The trousers are definitely a vintage fit, with a much lower crotch than modern trouser patterns. It took a bit of getting used to, but they were very comfortable. I always forget how different the proportions of vintage clothes can be! Both patterns went together beautifully, and though the instructions were a bit more sparse than some indie brands they were clear and perfectly adequate. 


To finish off my kind-of Land Girl outfit I wore my brown heeled oxfords and a cream cardigan, and a silk headacarf borrowed from my friend Lauren to cover up my non-era-appropriate haircut. I also took the straw bag that Hamish gave me for Christmas a few years ago. It just matched so perfectly that I couldn’t not take it, but to be honest it was a pain in the arse! A bag with a shoulder strap would have been much better, I’m sure that the reason I got hardly any photos of the event is because one hand was constantly occupied with my bag. I’ll need to remember that for next time…


Hamish was attired even more practically, I was jealous of his tweed jacket when the rain set in! I thought I could pinch some of his photos, as he took loads, but of course they were all of the cars rather than the other attendees! It was pretty amazing though, a scroll through the #goodwoodrevival2017 hashtag on instagram gives a pretty good overview. Some people had such amazing authentic vintage gear, it was awesome to see it out being worn.


I’m hoping to get some photos of other things I made for this trip in some dramatic Scottish locations, hopefully I can get some good shots! 

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The raincoat which nearly killed me…

I’m a very selfish maker, I hardly ever sew or knit for other people. I’ll sew for my mum (because she’s awesome), and I’ll sew or knit for Hamish (because he’s super fussy about buying clothes, and I’m still trying to get him out of tee shirts that he’s been wearing since before we got together, 10 years ago), and I’ll make gifts for special people in my life, but that’s about it. I don’t usually feel guilty about this, but when my sister asked me to make her a raincoat I felt a bit bad that I had never sewn for her before! I was planning my own raincoat at the time, using the Papercut Waver Jacket pattern, and as Abby also liked the pattern I figured it would be easy enough to make two! Now, if you’ve just followed that link to see my version of the Waver, you’ll notice that I blogged it a while ago. In fact, the fabric for both of our raincoats was bought from Drapers Fabrics when we last visited Auckland…in September 2015. This raincoat was my longest ever work in progress! It was probably also one of my worst ever sewing experiences, and there is definitely a strong correlation between those facts…

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I made her the longer version of the Waver, with the hood and the drawstring waist. I wish I had made the longer version for me too, its a much more practical length for a rain coat! My sister is tiny, so I re-traced the pattern and cut her an XXS, then took an inch off the waist and the hem. She has a lot of hair though (I’m pretty sure she got her full allocation of hair and then half of what should have been mine), so I left the hood at its original size instead of shortening it like I did for mine. I also left the sleeves at full length. I made the same aesthetic modifications to both jackets, adding in-seam pockets behind the patch pockets and a self-fabric facing to the hood.

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So the pattern wasn’t the problem with this project at all. I cut Abby’s coat just after I finished mine, intending to have both done by winter 2016. it was as I was cutting up the waterproof nylon that we’d picked that I started to realise what I had done to myself. This fabric rolled along it’s cut edges worse than anything I have ever dealt with before, all of my newly cut pieces were rolling up into little skinny tubes before my eyes! It’s also completely rigid, there was no easing anything or using any of the tricks I’ve learned to sew nice curved seams over the years. I’m so glad that we picked a pattern with raglan sleeves instead of set in ones! It wouldn’t hold a crease at all once it cooled down (though at least it didn’t melt), and it slipped all over the place under my presser foot, making the stitches an uneven length and the tension a bit wonky. I wanted to cry after a few seams! It was worse than silk velvet, than tissue knit, worse than bag leather or the finest chiffon. The shifty, slippery silk satin lining Abby picked out was honestly a dream to sew by comparison.

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So I put it aside, meaning to come back to it once I had a better idea of how to deal with the fabric. And then it languished, for a whole year, until my sister started asking pointed questions about it’s whereabouts at the beginning of autumn this year. I really did feel guilty then, so I braced myself and pulled it out of the WIP bag of shame. It was still an absolute bastard to sew, but I used a super fine microtex needle which helped with my dodgy looking stitches, and I topstitched where I could to keep the seam allowances flat. I really wanted to seal the seams to make it as waterproof as possible, especially after topstitching them, but I couldn’t find seam sealing tape anywhere, even online sources wouldn’t ship to New Zealand for some reason. Eventually Hamish suggested I get some tent seam sealing glue from a camping store (I got this one), which was a brilliant idea. It comes as a sponge-topped glue stick like I remember from primary school, and I just painted it in an inch wide strip over each seam on the inside. I doubt it’ll be as effective as a sealing tape in the long run, but it seems to be working for now!

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The press studs are the same as the ones I used on my Waver, and I used the same round elastic for the drawstring as in mine. It’s much more comfortable than a rigid cord! Abby had to have two photoshoots for me to get pictures for this post, there’s something weird happening with my camera and pictures keep coming out unfocused. And it isn’t just my shaky hands, it happens when I use the self timer too! At least I know she’s wearing it though, I would’ve hated to go through all that and then have her not like it!

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Oslo Coat

I’ve got my laptop back! It only took six weeks… Happily it seems to be fixed, my tracking pad isn’t freaking out and opening random windows or menus or zooming instead of moving the cursor, so that’s a definite improvement! I have quite the backlog of projects to blog, including a bunch of sewing I’ve done for our upcoming trip (than you to everyone who has given me trip suggestions, either here or on Instagram, I really appreciate it!), but I’m hoping to get a lot of those projects photographed and blogged while we’re away. but first, I’m going to show you my end-of-winter coat, before it gets to unseasonable!

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This is the Oslo coat, a recent release from Tessuti. Emma and I were messaging about winter coat patterns the day this was released, and we both decided it was the one to make! it was nice to have a sewing buddy to troubleshoot with! Emma also took these photos, we visited the Parkin Drawing Exhibiton at the Academy of Fine Arts Gallery, and got some photos. The piece I’m standing in front of was my favourite, it’s by Jae Kang and is called 4000 Stains of Breath.

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I really like the silhouette of this coat, I don’t have anything like it in my wardrobe. I was a bit worried about the size of the shawl collar, I thought it made my head look disproportionately small, but it looks ok in these pictures! I used a reasonably fine wool in an interesting not-quite-black colour for the outer, and a blush pink silk/cotton blend for the lining, both from The Fabric Warehouse. The coat looks black in these pictures, but against a true black or grey it looks deepest green, or even inky navy in some lights. Whatever colour it looks, it’s a nice neutral. I really struggled to find a button I liked, until I had a good rummage through the stash and came up with this geometric wooden one. I think the matte black stain on the wood looks really nice against the wool, and it suits the modern, minimalist look of the coat. Unfortunately, being black on black, it was really hard to photograph!

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I have to admit, I was a bit confused about some of the instructions for the Oslo. I’ve made a couple of Tessuti patterns in the past, so I was prepared for photos instead of illustrations, but I did struggle a bit with the fabrics they had chosen for the sample. the right and wrong sides of the fabric were very similar, and the lining fabric was a similar colour too, and I just found that I had to concentrate a bit more than usual to get through this one without unpicking too much! It was good to be able to message Emma to see if she had any insight into the bits that tripped me up. The pattern itself is really nicely drafted, it all fits together beautifully and the shaping in those raglan sleeves is particularly nice. I was also worried that it might swamp me a bit, as it has no shaping in the back or sides, but I like the oversized, nearly cocoon shape that it has. My measurements put me in a couple of sizes, but based on the finished garment measurements I went with a straight size 10, which I think was a good choice. The main thing I would change if I was to make it again would be to raise the pockets by a couple of inches. It was really stupid of me not to check the height before sewing up most of the coat, and they’re low enough and deep enough that my arms are pretty much straight when my hands are in them!

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I made this coat as part of my #summerofbasics entry (obviously mine is a Winter edition) over on Instagram. The challenge was to make three basic pieces which could be worn together for the appropriate season, so my pieces were this coat, my Ginger jeans, and the as-yet-unblogged Melilot shirt that you can see peeking out of my jumper in these pictures. I’m really pleased with all three garments, and I think they work nicely together. I’ll certainly get plenty of wear out of the jeans and shirt, but I don’t really want to hope for lots of opportunities to wear the coat! There have been some hints of Spring around Wellington this week, I can’t wait…

Waverly and Lark

Well, I’m still without my laptop! It’s such a pain, I’ve got three biggish projects photographed and ready to blog, but I can’t edit my photos until I get it back. First world blogging issues for sure! In the meantime, here is a quick little post to show off a recently finished knitting project and (another) Lark tee.


Apparently I was feeling very stern when I took these photos…

Knitting first! This is the Waverly Scarf pattern from Knitbot, which came as a free download with her latest book, Texture (though I see you can now buy it on Ravelry). I really love a lot of the patterns in Texture, I’m currently knitting the Eventide Cardi, but I was especially taken with the basket weave texture of this scarf so I knitted it first!


I used Quince and Co Osprey in the Canvas colourway, which is exactly the same as the sample. Such originality! I wanted another neutral scarf that wasn’t grey, and this cream/beige/nude colour is perfect. It goes with everything, but I think it looks especially nice with navy! Because it’s a 12 ply yarn it knitted up pretty quickly, though I have found that the resulting fabric is really dense and sometimes sits away from my neck if I don’t get it sitting just right when I put it on. I haven’t blocked it yet, because it’s been cold and I’ve been wearing it, but once the weather warms up I’ll wet block it and hopefully that’ll relax the stitches a bit.


Another thing that I think adds to it’s stiffness is the way the edges roll in, it just makes it a bit more bulky instead of draping around my neck. Again, hopefully blocking will sort that out! Regardless, it’s a lovely scarf and it’s kept me super warm this winter. I find that the loose ends of my Guernsey Wrap blow around (and off, sometimes), but obviously that isn’t a problem with Waverly!



I’ve finally photographed this merino Lark tee! Instagram tells me I made it last August, and I’ve worn it lots in the last year. It’s the long sleeved boat neck version, obviously. Because I had a bit of trouble with the neckline sagging on my previous version, I used a self fabric facing instead of turning and stitching. It’s worked really well, the neckline is still sitting perfectly.


The Fabric is a lovely fine merino from Drapers Fabrics in Auckland, I was so happy to see a nice striped merino! I’ve found that a lot of the striped merino around tends to be light colours or really narrow stripes, but this one is perfect. 


Hopefully I won’t be needing all of my winter woolies for too much longer, but I’m glad to have these ones in my wardrobe!

Holiday Planning (help me out!)

Hi all! So my laptop had a meltdown last week (the tracking pad was malfunctioning in a way that made it pretty well unusable), and now it’s away being fixed so I’ll need to wait until it’s back before I can edit or post any pictures of finished garments. Hopefully it won’t be too long until I’m underway again… In the meantime, I’m still sewing and planning for our upcoming trip to the UK. It’s only 5 weeks away now, eek! I might have to cull my ‘to sew’ list, I’m finally coming to terms with the fact that it’s a bit ambitious.


We’ll be in the UK for 5 weeks all up, and we’ll be driving through England, Wales and Scotland. We fly in and out of London, and we have to be down on the South Coast for the Goodwood Revival, but other than that we’ve got a pretty blank schedule! I want to go to Brighton, Glastonbury, Bath, Stonehenge, Cardiff, the Brecon Beacons and the Lake District as we drive up to my family in Glasgow, and once we’re in Scotland I’d like to go to the Outer Hebrides (going to see some tweed and some puffins!). Then we’ll head back down through the highlands, via a few distilleries for Hamish (though his favourites are the peaty whiskys from the islands, so I suppose we’ll do some there too) to Edinburgh, and back down through England to London. Looks like quite a lot when I write it out like that, but hopefully we’ll manage! 

So, I was hoping those of you in the UK could give me some suggestions of where to go? What are your local fabric/yarn shops and markets? What about your favourite pubs and cafes, and your recommended  local highlights? Local delicacies we have to try? I’m so excited to be heading back, I never meant to leave it 6 years between visits…

Winter Favourite

It’s been so cold here for the past few weeks! We’ve had a (pretty low key) cyclone sitting over the country, and so it’s been all 130 kph southerly gales and torrential rain and hail. We’ve had a few good landslides around Wellington too, as well as the usual airborne trampolines and bits of flying roofing iron. In the middle of all of that wildness, I decided I needed to make myself a new winter dress, obviously.


The pattern is McCalls 6886, which I initially overlooked as it’s a pretty basic tee dress. I’m really glad I picked it up during one of the Club BMV sales though, because it’s a nice wee pattern. I love the shaping in the side seams, and the neckline has also turned out really nicely. I probably could have lengthened a tee shirt pattern to get a similar effect, but I’m lazy and this pattern has turned out well enough that I’m glad I didn’t try!

I took an inch out of the bodice length at the top lengthen/shorten line, which I think was a good move. I’ve got a little bit of pooling above my butt, but not enough to bother me. The only other change I made was to slim the sleeves by about an inch at the wrist, tapering back to the seam allowance above the elbow. It’s pretty slim fitting through the body, I think I’d sew a narrower seam allowance through the hips if I was using a thinner or clingier fabric. This stuff is heavy enough to skim rather than get caught up on the waistband of my tights!

I cut the crew neckline, with the intention to modify it once I could try it on, but I actually really like the higher neckline. It’s much cosier than a scoop or a boatneck! I followed the instructions to turn and stitch the seam allowance to finish the neck, which I’m usually a bit leery of (I’ve had necklines stretch out really quickly when they’re finished like that), but it seems to be holding up nicely.

The fabric is a loop-back merino sweatshirting that I bought last winter from The Fabric Store. I had planned to make it into a SOI Heather dress, but the idea of having to match the stripes across those princess seams kept putting me off. I’m actually really glad I kept it for this super simple pattern, I love the way it looks and it’s really warm and comfortable!

I’m so happy with this dress, it’s got everything I like! Stripes, long sleeves, cuddly merino… I’ve been wearing it as often as I can get away with! Obviously I should make another one… I recently picked up a length of seconded fleece backed merino sweatshirting which would be lovely. It’s bright red though, so I might try dyeing it. I also think that this would be a good pattern for the printed scuba I got from Mood ages ago, it would show off that busy fabric perfectly!

(also, my image editing program gave up the ghost mid way through these pictures, which is why I have randomly appearing and disappearing power points…)

A clutch of Ida’s

A couple of months ago Kylie from Kylie and the Machine got in touch via Instagram and asked if I’d like to test her first pattern, a fold-over clutch bag she was releasing just in time for Mothers Day. I’ve never tested a pattern before, and I’d be pretty wary of testing a garment (I feel like there would be a lot of pressure involved in that, rightly or wrongly!), but a bag I could manage. The Ida Clutch is a simple sew, with nice clear instructions, and can be made in a variety of materials. I’ve used leather for all of mine, but there are some really cute versions in canvas and linen on Instagram, and Kylie has made an awesome version out of a coffee sack and some clear vinyl. Best of all, its a free pattern!

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I made my first clutch out of a piece of gorgeous cornflower blue Tory Burch leather which I got at The Fabric Store. I really love the leather pieces they have at TFS, I’ve amassed quite a collection of smaller pieces so it’s nice to have something to make out of them! I used some of that never-ending Liberty poplin remnant that has been showing up in all of my posts for the lining, I thought it was a good match. I made a couple of modifications to the pattern (bad tester!), to accommodate the thickness of this piece of leather. I trimmed the seam allowance off the top edge and just top-stitched the raw edge to the zip rather than folding it under as you would if using a thinner material, and I also cut the bulk of the darts out after I sewed them. I didn’t interface the leather, but I did use a lightweight fusible on the lining. Finally, I added a loop of leather with a D ring through it to the side seam just below the fold line, so that I could add a wrist strap. I love the idea of a clutch bag, but realistically I know that I’d never keep hold of a bag without a handle of some description!

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The second bag I made was a birthday present for a friend. I used some super soft and lightweight leather, again from TFS. This one I sewed up exactly as the instructions suggest, since the leather was so thin, including using both interfacing pieces on the leather. The lining is some cotton duck from Spotlight, which is probably a bit heavy for lining such a thin piece of leather, but I liked the way it looked with the gold hardware! I really like the metal zip and magnetic closure with the gold toned G-hooks and rivets, I think that everything matching helps to make the bags look more professional. I made a wrist strap for this one too, but somehow managed to not take any photos of it. Its just the same as the one on the blue bag though!

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For my third version I decided to do some very mild pattern hacking. I had this piece of nude patent leather (again from The Fabric Store, try to hide your surprise), and I had been wanting a small cross-body bag. The patent leather is thicker than the blue leather I used first, so I made the same modifications. My machine was deeply unhappy about sewing through more than two layers of this leather (even two was a struggle some times), but we managed. I ended up hand sewing the corner seams at the darts, because I couldn’t get my poor machine to punch through four layers of leather! I used leather needles in my machine, and used upholstery thread to sew the whole bag. The patent side of the leather was sticky enough that the feed dogs couldn’t move it under my presser foot, so I followed the advice of the internet and stuck some sellotape to the underside of the foot which fixed that issue!

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Initially I was going to have this bag fold over like the clutch versions, but the leather was just too thick for it to fold nicely, and I decided that it would probably be a more useful size if I left it upright! The lining is the same pink and gold flamingo cotton that I lined my Genoa Tote with, I still really like it! I do wish I had added a pocket though…

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I added a D ring to either side, just below the zip, to attach the shoulder strap. Cutting the strap was probably the hardest part of all, I had to cut six lengths of leather the same size, as my piece of leather wasn’t long enough for a single strap. I sewed the strips wrong sides together to make the strap stronger, and because it looks better not to have the napped side of the leather showing. I couldn’t decide how long I wanted the strap to end up, so I cut it 1/3 of the way along, and added the buckle so that I could adjust the length. It took me a wee while to figure out how I was going to secure the buckle and the loop of leather that holds the strap down, but in the end I decided to fold the whole lot into a sandwich and hammer a rivet through it! It’s not the most elegant solution, but it’s covered by the strap so I figured I could live with it. I also added two rivets to the join in the strap, just to add a bit of strength to it. I tend to be quite hard on my bags!

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I’ve decided I like sewing bags, they’re useful and there’s no fitting issues to trip me up! This one is big enough to fit my sunglasses and my phone and the handful of lipsticks/balms which I seem to need to have on me at all times, so I feel like it’ll be a useful bag for running around town. It’ll be perfect to take to the UK in a few months!