A little bit of Frosting

Note: I’ve been paying attention to the current conversations happening on social media about cultural appropriation and violence towards Asian communities. Since making these garments my understanding of cultural appropriation has grown and I now see how the naming of this collection is problematic, and is a form of cultural appropriation. I’m also aware that a considerable number of people contacted Papercut Patterns some time ago in relation to this collection, and that it’s taken several years to be resolved. When the new pattern names are announced I will amend my posts relating to the collection, and I am also making a donation to a local charity to reflect the amount I have spent on these patterns. I’m considering other courses of action I can take, including removing these blog posts all together, I welcome any suggestions people might have regarding this. I’m very grateful to the people on social media who have done so much work to educate and inform me about these topics.

I follow Drapers Fabrics in Auckland on Instagram, and every so often they post a remnant for sale in their insta-stories. Usually I manage to resist, but when I saw this delicious blush and mustard abstract silk crepe de chine pop up I messaged them and bought it without a second thought! I’m obsessed with this colour combination at the moment (see also: my Wiksten Unfolding Jacket), and I’ve been in desperate need of some ‘nice’ tops to wear when I don’t want to be full on dresses up but also don’t want to just be in a tee shirt (any one else struggle with that in-between dress code?).

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I waffled a bit about what pattern to pick for this fabric, but then I remembered seeing Chloe (@faburikku_) post about her Papercut Patterns Solar Tee which she made in a woven. I thought the ruffled sleeves would be lovely and floaty in this silk, so I threw caution to the wind and cut it out…

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And it worked! I didn’t make any changes to the size, as it’s a pretty loose fit (and my knit version had plenty of ease through the bust), but I did draft a facing for the neckline. I also had to crop it by several inches, as the hem wouldn’t fit over my hips with no stretch, but I think the cropped length really suits the shape of the pattern. It balances out those ruffles a little bit!

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I used French seams throughout, remembering too late (as I always do) that Papercut uses a 1cm seam allowance. That means my French seams are lovely and small, but does add to the fiddle factor! I rolled the edges of the ruffles and the sleeves on my machine, but I did the hem with the blind hem stitch, as I wanted a bit more heft to the bottom edge.

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I also got a bit fancy with my facing. The silk is so fine that I didn’t want a rolled seam or an overlooked edge showing though where the edge of the facing was finished, so I sewed the facing and some super lightweight fusible interfacing with the wrong sides together, then trimmed the seam allowance, flipped them right sides out, and pressed to fuse the interfacing to the facing. It’s not invisible, but it has a much softer edge than if I had finished it another way.

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I’m so happy with how this top turned out! I think it fills the gap in my wardrobe perfectly, and I love the way the silk feels. In fact, it turns out that this is really pretty fancy silk, because I spotted a whole rack of garments made out of it when I walked past the Juliette Hogan store in Wellington a few weeks ago! Juliette Hogan makes gorgeous but eye watering-ly expensive clothes, and the ones made out of this silk seem to be priced at upwards of $400. I wonder if I would have chopped into my remnant so happily without making a muslin if I had known? Just as well it worked out so well… I’m considering this top the first garment for my entry into the #sewfrosting challenge, because the fabric is apparently so fancy and because a silk tee seems pretty frosting-like! I’m still up to my elbows in velvet dust working on my other garment, so stay tuned…

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I’ll also talk briefly about my trousers in these photos, they’re a pair of Named Alexandria Peg Trousers in a linen chambray from The Fabric Store. I’ve made this pattern twice before (here and here) but neither pair is still in my wardrobe, for one reason or another. I really love this pair though! The linen is soft and cool, and I think it suits the pattern really well. I can see them getting so much wear over the summer!

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The fit on these trousers is great, I should use the crotch curve to adjust less well fitting patterns! I also love the pleat-and-pocket combo. And elastic waists are always a good thing. I did the two rows of top stitching around the elastic waistband, but just looped the twill tape through the two buttonholes and tied it in a bow instead of threading it around the whole waistband.

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Is anyone else furiously sewing up their #sewfrosting entries? The end of November seems to have crept up super fast!

4 thoughts on “A little bit of Frosting

  1. Your top looks fabulous, I’m saw a fabulous linen version, made for the #ochrechallenge at the Fabric Store a couple of weeks ago. About your trousers, do you find the butt loses shape after sitting in them for a while – I’ve been eyeing up this pattern, so all the advice beforehand is great.

    1. Thank you! A linen version would be lovely 😊 The butt on this version of these pants definitely bags out with wear, as do the knees, but I think that’s due to the linen not the pattern! My rayon pair held their shape really well.

  2. It’s the peeeerfect length! And I’m sure the tiny French seams were worth it, it looks like the fabric deserved TLC. I’m also a big fan of it paired with the trousers – here in Boston I have bare-ankle envy…

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